Marilyn Watelet, Chantal Akerman’s childhood friend, along with Natalia Akerman, the director’s mother, are the protagonists of this two-part fiction.
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3'59"
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Gian struggles with amnesia and is haunted by fragments of the past, which emerge in his mind like grainy archival images.
These two archives have been found at the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer.
The story of the female body, told by highlighting its extreme objectification and the constant opposition to the male gaze.
In the film, we find Marilyn Watelet, Chantal Akerman's childhood friend, along with her sister Claudine and mother Nicole Watelet.